About the films:
Dale Allen John – ‘The First Homosexual / An Art Film’
The First Homosexual plays on reversing the shame surrounding sex and a self-exploration of my own sexuality. It is a voyeuristic piece demanding the audience to observe and listen.
Olivia Sparrow and JF Hancell – ‘Drowning’
Drowning is a short film showing an act of consensual drowning, highlighting the romantic and sexual nature of an otherwise violent act.
Chen Wang – ‘Utopia Process’ (2nd Place Prize)
In her new work Utopia Process, she portrays a fantasy playful world that expresses desire, chaos, and fear. The piece represents a place of hope and performed beautifully, but it is also pointing towards to a dystopian vision of current society.
Cole Montminy – ‘Came to Your Senses’
An exploration of how childhood molds our sexual being, other oddities of human attraction and distraction.
Isabelle Crespo Rocha and Stéphane Billot – ‘REVOLVER’
A man and a woman spits into each other’s mouth. Their faces are gradually covered with saliva. This performance deals with the ambiguity and violence in couple relationships. The exchange of saliva both symbolizes passion (French kiss) and deep hatred. The fact that faces are covered with saliva creates a link with pornography and the imperious practice of the facial ejaculation. It also refers to the colonization of desire and the expropriation of flesh by mainstream porn culture.
Callum Harper – ‘Modern Day Tinder Profile’
Modern Day Tinder Profile is a video regarding queer dating and love in the contemporary technological era. In the pursuit for suitors and true love in the sex obsessed MSM demography, the video work displays the reality of hyper sexualisation and an incessant need for online validation and intimacy amongst the cacophony of texts and dick pics.
Actually Huizenga and Socrates Mitsios – ‘SoftRock I’ (1st Place Prize)
pop rape/ snuff pop
Negar Nakhai – ‘ONAN’
This film is an elegy to Onan, to the pyro that lights the libidinal flame merely to watch the orgasmic combustion and to lament its ensuing demise. ONAN is a somber celebration of the libidinal energy that escapes the capitalist mill of reproductive sexual energy. The two subjects in the film are never within the same frame, and thus their separation metamorphoses into a yearning that the viewer experiences as well; a yearning to see.
Rococo Royalle – ‘Monochrome’
They stand amidst the colorless bars of paint. Dressed in their nudity; uncensored flesh and erotic heat. Their boundaries defined by stark contrast and form. An autonomous, thriving form. Curves, stretch marks, curly hair. They blend, and they embrace. They fuck in their blissful mess, haphazard limits diminished to silky grey smears. Moans, kisses, and gloves parallel intimate explorations. Visible, visibly, fucking in ecstasy.
Shine Louise Houston – ‘NAKED’ (3rd Place Prize)
Trying to leave the house proves difficult…
Paul Wiersbinski – ‘Relron E’
These were the golden days of dancing and raving, rage and lust. The pleasures and distresses of the deranged body, which never wanders far before receiving the only poetic action in most people’s life: death.
Kun – ‘Milk and Honey’
Sensuality And sexuality Milk of mother. Milk of meself .milk of an animal
Matthias Von Braun (director); Normen Luzinsky (camera); Eva Cornelisse and Olivier Tafforin (performers) – ‘Switch’
Two post-humans awaken in an endless void. They discover each other and a ballet of dominance and submission begins.
Mark Carr – ‘Boundaries’
This work explores how: on the one hand we may find ourselves mentally or physically broken; while on the other, how we can be inseparably bound to desires, ‘good and bad’. BOUNDARIES asks more complicated questions about the nature of these dilemmas and whether there is a line to be crossed and where this line may or may not lie.
Kenneth Riley (concept creator / director / camera); Ramona Pond (actress) – ‘Pushing Ordinary’
In this ultra short clip about a girl going about her daily chores, we see not just the completion of ordinary tasks but the taboo fantasies that go along with them as well.
Larry Walker-Tonks – ‘GOT ANY PICS?’
‘Got Any Pics?’ is commentary on the use of lewd pictures in today’s online culture as a means of communication where nudes and dick-pics are traded like a commodity.
Fex Orumwense – ‘Crotch’
This short film explores my misunderstanding of ‘gender related gesture’ (grabbing crotch) during my adolescence.